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The Arrival paired Dano with DJ Dan, the West Coast heavyweight, for a 1998 twelve that pushed Red Melon toward harder, longer, more cosmic territory. Two cuts, both built for the deep end of a set. Crash on Mars goes sci-fi, its tough tech-house drums carrying spacey textures and a relentless forward pull. Dreamweaver turns hypnotic, acid-tinged and patient, letting loops and filters do the storytelling over a heavy low end. It's a late-90s document of two producers trading ideas at full tilt, and a reminder of how open the West Coast house underground felt at the time.
The Arrival paired Dano with DJ Dan, the West Coast heavyweight, for a 1998 twelve that pushed Red Melon toward harder, longer, more cosmic territory. Two cuts, both built for the deep end of a set. Crash on Mars goes sci-fi, its tough tech-house drums carrying spacey textures and a relentless forward pull. Dreamweaver turns hypnotic, acid-tinged and patient, letting loops and filters do the storytelling over a heavy low end. It's a late-90s document of two producers trading ideas at full tilt, and a reminder of how open the West Coast house underground felt at the time.
